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Yale University Press, Contains "Select Bibliography" pp. The catalogue also discusses many other prints from Hogarth's picture series. Foreword by James Cuno; Introduction, pp. This page catalogue throws new light upon Hogarth's Sigismundaconsidering the painting in the context of contemporary debates about female sexual desire, luxury consumption, and the modernity of English art.
Princeton University Press; London: Tate Gallery Publishing Ltd The author in desiring not to write a chronological life-story of Hogarth has chosen a series of thematic essays "each devoted to an aspect of the social and cultural history of the period".
The book reveals Hogarth as an English nationalist and as a figure who reinvented the very idea of what it is to be an artist. It also sees him as a humourist who brilliantly invented a means of reproducing wit for wider public consumption.
The study shows that Hogarth's works were aimed at fostering self-improvement, whereby vice can ruin the aristocrat as swiftly as the harlot, but does so with great humour. We meet an artist emblematic of his time but also ultimately innovative and long-sighted. The Freedom of the Times pp.
The Ideals and Realities of Self-Improvement pp. Liberty and Libertinism pp. Hogarth's Sympathy for, and Affinity with, the 'Nobodies' of Society pp. Phaidon Press Limited, This well illustrated survey of the artist's life and work shows that Hogarth's art celebrates the benefits of commerce, politeness and patriotism, while simultaneously focusing on the corruption, hypocricy and prejudice they brought in their wake.
It provides an account of the full range of his work - from aristocratic portraits, to satiric prints commenting on the darker side of contemporary society. His work is situated within the context of the times, from the contrasing lifestyles of the rich and poor, to crime, fashion, scandal, politics and economics.
Carving out a Career pp. Sex, Disease and Pity: A Harlot's Progress pp.
Satire and the City: The Painter of Modern London pp. A Tale of Two Cities pp.
The Analysis of Beauty pp. Art, Politics and Propaganda pp. The Final Years pp. Aesthetics of DifferencePrinceton: Princeton University Press, Trendy collection of fifteen essays by international art historians and cultural theorists who investigate an overlooked dimension of Hogarth's art and aesthetics: It shows that, whether Hogarth depicts a harlot; a wealthy patroness; a gouty earl; a dissolute rake; a black servant; an "effeminate parasite"; issues of class; gender ; and race, reverberate throughout his paintings and prints and deeply inform his unique innovation, the "modern moral subject".
Solkin "The Fetish Over the Fireplace: A Postcolonial Hogarthian "Dumbshow". Representing nature's machines, Manchester and New York: Manchester University Press, A collection of twelve tercentenary papers by some of the leading authorities on Hogarth.
Reveals the artist to have been remarkably aware of the important intellectual issues of his time, for instance, eighteenth-century philosophy and science.
The essays are thematically arranged according to three parts: Hogarth and Christian Typology". William Hogarth and the emergence of a visual culture in eighteenth-century England"; "Je-sais-quoi: William Hogarth and the representation of the forms of life" ; Peter Wagner "Hogarthian frames: The 'new' eighteenth-century aesthetics'"; "Representations of time in Hogarth's paintings and engravings" ; John Bender "Matters of fact: William Hogarth and the visual culture of eighteenth-century London" ; Diana Donald "This truly natural and faithful painter':William Blake’s Chimney Sweeper Poems Analysis Essay Sample.
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